SDMW Final test comments
Dunkirk (2017 film) by Christopher Nolan The scenario is simple — hellishly so. Eight months into World War II, following a series of setbacks, roughly 400,000 British troops find themselves stranded on the shores of Northern France. Behind them, Nazis are closing in. Bombs fall from Stukas in the sky, torpedoes whizz in from U-boats in the sea. And ahead lie 39 nautical miles of grey, churning water separating the soldiers from home, with nary a boat to come to their rescue. In glib movie-pitch terms, it’s reverse D-Day, or Helm’s Deep with seashells. While there is a high-ranking naval officer on hand (Kenneth Branagh) to play Admiral Exposition, filling in the big picture while surveying the nightmare from a pier, Nolan doesn’t bombard us with information. He knows it’s more powerful to sell the hopelessness of the wind-blasted beach with a stark, simple image, such as the moment in which a Tommy simply gives up and wades into the water. Dunkirk is first and foremost a mood-piece,